



This weekend I had a major highlight in my fashion illustration career, I was commissioned by the one and only Barbie to create sketches for "Barbie: The Dream Closet" at Mercedes-Benz Fashion Week! If that's not a dream job as an illustrator, I don't know what is. Being approached by of those powerhouses alone would have been a thrill, but both Barbie and New York Fashion Week, its just beyond. (Apparently in my excitement I've lost the ability to be articulate here.)





As you probably know, I love finding costume design sketches. Combine that with a wedding and I'm in heaven. I recently found this Vera Wang bridal sketch for Kate Hudson in the romantic comedy Bride Wars. I've always loved this dress and actually have it in a file for future "sketch-spiration" for BrooklitBride. Doesn't Kate's "bridal beauty" in this film just scream draw me. (Maybe one day I will and we'll see how my version compares with Ms. Wangs.)










(Nicole Miller)

(Rachel Roy)

(Charolette Ronson)

(Tibi and BCBG)


















From the moment Louise and I first spoke we were on the same page about what we speculated for Kate's wedding gown. We reviewed designs I previously featured here, talked about our visions and I even texted her a picture of some rough sketches in the middle of the night, just so she could see how it was coming along since there was certainly not much time for changes.

Kate has a clear style of classic-traditional. Louise and I agreed that the overall silhouette of her gown would be a simple A-line but large enough to not get swallowed by the cathedral setting. She'd have long lace sleeves and her shoulders and chest would be covered as well. The design would be "modest," and not revealing or inappropriate. It would include couture detailing such as a perfectly contoured and fitted bodice with hand embroidery and/or lace appliqué along the bottom of the skirt and along the train. We also included a delicate and simple tiara, beaded waistband, and a polished and modern bouquet of white flowers and greenery. We knew her dress, train and veil would be beautiful, but certainly nowhere near as opulent as Diana’s.

It was such a thrill to collaborate with Louise, I've been such a admirer of hers and have actually turned many of my "fashion friends"on to her by sending her vogue.com video and her website. I have also been a avid Nate follower ever since he first stepped onto Oprah’s stage 9 years ago. (A little while back I gushed about him here.)

I know I'll never forget the feeling I had sitting in the audience beside my friend Renaldo and my mom (who actually happened to be visiting from California that same week,) and at the risk of sounding cheesy, it really was a "Secret" moment. I honestly feel like I put it out there, and look what happened. Seeing my fashion illustrations on television was incredible and I just know its the first of many. (But how lucky am I that Nate was my first. ;) When the show aired last week my mom sent me a text saying she was crying with pride. I picked up the phone and called her, but she promptly hung up on me because "the show was on!"
For a closer look at all the sketches you can click on over to the Nate Berkus Show website. I'm working on a new illustration based off Kate's real look from the wedding, which I'll share and add to my etsy shop soon. (Sorry if I rambled on, I normally try to keep posts short!)
(Jason Wu and Catherine Malandrino)

(Adam and Rachael Roy)

(Badgley Mischka and Ruffian)

(Peter Som and Michael Kors)
It's always a thrill to find great costume illustrations, and these sketches from fashion designers Kate and Laura Mulleavy of Rodarte for Black Swan do not disappoint! They have a soft and whimsical stylized look, which is synonymous with the look of their illustrations for Rodarte, while still serving as readable working sketches. 

