Oscar’s Gifting Suite



This week I had the opportunity to participate in an Oscar’s Gifting Suite! Within just a few days I made 100+ samples to “gift”, hopped a flight from NY to LA, and shared my work at a Beverly Hill’s invite only pre-Oscar’s Gifting Suite.

There was a lot of last minute prep involved, since I was notified about this event pretty late in the game. But being that I’m no stranger to all-nighters or some hard work, and had help from good friends, everything came together without a hitch.

I met some fantastic people, including representatives from the other 15 companies participating, Oscar nominees, television and film stars, musicians, and pro athletes. Everyone seemed to really love my work. I got fantastic feedback from the guests as well as gave three filmed interviews! (I’ll see if I can find them online and share them with you here soon.)

In addition to gifting prints, posters, and bookmarks, I also gave some gift certificates for a custom illustrations which can be used towards a custom bridal illustration or to capture their favorite red carpet look.

The gift certificates are also being included in gift bags being sent to the ladies of One Tree Hill; Sophia Bush, Bethany Joy Galeotti, Jana Kramer, Lisa Goldstein, and Shantel Van Senten. As well as Maria Shriver, and Jamie Lynn Sigler. It was a great event and what is hopefully the first of many.

(If you want to see all the photo's I'm going to post them all in album on my facebook fan page, so if your not a fan already there's no time like the present!)

Red Carpet Moment: Gwyneth at the Oscars




I’ve been waiting for this post ever since photographing this sketch and swatch at the Audrey Schilt exhibit at FIT. I’ve always been a huge fan of the Oscars and this is one of my all time favorite red carpet moments from Oscars past. Every girl should have a pretty in pink moment and Gwyneth’s 1999 Ralph Lauren silk taffeta gown was nothing less then fabulous in my opinion. Not only did Gwyneth win Best Actress that year, but rocking this dress she was the best-dressed winner as well! (As you can see from the tear, Vogue agrees!)

To watch the dress, (and Gwyenth) in action click here for a video of her emotional 1999 Oscar win and click here and here for my previous posts about Illustrator Audrey Schilt. Don't forget to tune in for tonight's live Oscar show! Fingers crossed there will be some fabulous fashion.

Illustrator: Steven Broadway



Meet another one of my college professors from my FIT days, Steven Broadway. I thought it was time I shared another example of the talent I was exposed to and got to learn from. You've already "met" Renaldo Barnette (here and here), and I've recommended (here) Steven Stiplemans book to every aspiring illustrator that contacts me! This is the work of fashion illustration professor, Steven Broadway. Fabulous, right! He has not only worked as a designer and illustrator in fashion, but in costume design as well.

Back when I had him as a professor he had just completed illustrations for the movie Zoolander! You can check out his website (here) if you would like to see more of his portfolio. A sketch I did while in his model drawing class was actually up in my Etsy shop until recently. (It's now sold out, but you can see it here.)

On another note, I have to apologize to you. Something exciting came up two days ago and I've been crazy busy. I'm actually off to LA in a few hours. I know my "Tuesday Tips" have been a big hit, but I'm going to have to skip this week. Maybe next week I'll give you a double dose to make up for it!

Orthodox Bride



Meet my beautiful friend Sarah. Sarah commissioned me to do a custom illustration of her in her wedding gown. (I didn't know her at the time of her wedding otherwise I would have offered one as my wedding gift, as I do for all my friends who are about to head down the aisle!) Sarah is an Orthodox Jew and therefore her wedding gown was modest, with a high neckline and long sleeves. This was out of my "bridal drawing comfort zone".
Drawing a bride is hard because they wear intricately detailed white gowns that I have to draw on white paper. Usually all the skin shown with a strapless gown helps to give the illustration depth and a frame of sorts around the dress, so this one obviously didn't have that. Also, knowing Sarah, she is such a beautiful girl, both inside and out and one of the most kind hearted people I've ever met. I wanted to really capture her in my illustration. (cheesy I know, but its true!) But I'm really pleased with the outcome and so was Sarah.

Tuesday Tip: Illustration Poses



The first step in tackling any fashion illustration is to choose a pose. Looking at a picture is the best way to do this. It takes some time to find good poses, so you should hold onto them and start a "pose" folder for future reference. I've found that be best resources for tears are high fashion magazine editorials and catalogues. Bathing suit layouts are great because the figure is not hidden under clothing.
The most important element to look for when choosing a picture is that the top of the head to the tip of the toes be visible. It must be a full body shot otherwise your just guessing what the legs or feet look like and your drawing can come out distorted if your guess is not accurate. In the beginning its also best to choose poses that are straight forward, with the head and body facing front. Three quarter poses and profiles can get tricky.
When starting your drawing keep in mind the shoulder line and the bust line are parallel to one another, as are the waist line and hip line. The high hip is also the leg that the body weight rests on and cannot be changed. Yet the other leg, the "free leg", can be positioned many ways as I've illustrated above. The arms can also be arranged in any way but a bent arm with hands on the hips always give a nice effect and adds some nice negative space to your illustration.
To begin drawing a pose from a photo it's helpful to make a copy of it (or place tracing paper over it) and draw the shoulder, bust, waist and hip lines as well as the center line and panty line, as I have done with all these images. (This helps to know where seams and other clothing details should be placed.) Then draw a loose gesture drawing to get the main muscle masses down. You can create the final sketch outline from the gesture drawing and erase the unnecessary inner lines or just layer on another piece of tracing paper or thin marker paper and outline the body. Then start designing!

If you have any "pose" questions ask away in the comments section. This way everyone can see your question and my answer. I hope this was helpful!

(Photos from Saks Fifth Avenue and illustrations by Brooke Hagel)

A few other related posts you may like:



Book Time {Part 3}



A few weeks ago while in my local bookshop I decided to stop by the crafting aisle and this book caught my eye; Blogging for Bliss. Being a fairly new Blogger I picked it up and started thumbing through it. I realized I was standing there reading entire chapters and I should just buy it and head home. While waiting in line I flipped the book over to discover a familiar face smiling back at me! The author of the book, Tara Frey, was one of my very first freelance illustration clients! Small world right!Besides the excitement of knowing the author, and reconnecting with her, Blogging for Bliss has been a fantastic resource. It's packed with great tips and how-to's, informational tools, and behind the scenes stories and inspiration from successful design bloggers, including my current teacher Ms. Holly Becker of Decor8!
It's a great book and since many of you, my readers, are bloggers yourselves, I thought I should share this fabulous find. I've added it to my Amazon Book Shop, which you can purchase by clicking here. (By the way I learned how to set up a Amazon "astore" from reading this book!)