Past posts you may have missed:
Showing posts with label high fashion. Show all posts
Showing posts with label high fashion. Show all posts
Ralph Lauren | Miracle on Madison
I'm thrilled to be heading back to the Ralph Lauren Mansion for Miracle on Madison 2022. It's a fabulous day of shopping for good with 20% of your purchase benefitting charity. In addition to that a custom illustration by yours truly is a gift with purchase! Last year this was one of my favorite events of the whole year! I hope to see you there.
Ralph Lauren Mansion: Live Sketching
Live sketching custom fashion illustrations at the Ralph Lauren mansion NYC flagship store was a career highlight and even though it's been a minute I thought it deserved a highlight here. The stunning space and meticulous merchandizing have made it one of my favorite Manhattan stores for decades. I've sketched events for the brand previously under both the Ralph Lauren label and Polo but this was my first time sketching in their iconic flagship--and it did not disappoint! The desk where they set me up to draw for the day was at the base of their notorious staircase. It's the key spot of the whole store, where everyone who walks through the store passes. It's also raised up on a small staircase platform and was styled, of course, to perfection with large spheres at my feet, a grand antler candelabra to my side and flanked by luxurious curtains.
It was a regular shopping day in the store, open to all and not a private event, but to my pleasant surprise there were many influencers and notable people who came by, including a former Miss. America, an actor as well as numerous fashion bloggers and influencers. Over on the gram I shared a bunch of videos from the event, the one of above being one of my favorites! There's nothing better than seeing the twinkle in a persons eye the moment they see their custom sketch. My first time live sketching at the Ralph Lauren mansion was an experience that did not disappoint! I had a wonderful time sketching and meeting an array of Ralph Lauren customers and employees (including the President of RL!) in a stunning setting. The event went so well that they flew me down to Miami about two weeks later to live sketch there for a few days as well as booked me to come back for Mother's Day weekend!
Similar posts to check out:
Halston Fashion Illustrations from Halston Style Exhibit
This weekend I, like most fashion lovers, devoured the new 5-part mini series Halston that premiered on Netflix. To my pleasant surprise the series was peppered with Halston fashion illustrations and it got me thinking about Halston Style, an exhibit I went to 4 years ago, in April of 2017 at the Nassau County Museum of Art. (Side note: a museum I actually volunteered at as a docent, many moons ago in my high school years!) I've been to countless fashion designer retrospectives throughout the years but this one is engrained in my head, as it had hands down the most fashion illustrations of any I'd ever even been to and illustrated by the likes of Halston, Steven Sprouse, Joe Eula (Halston Creative Dir. of 10+ years), and Andy Warhol. The collection of illustrations, garments, iconic designs like Jackie Kennedy's inaugural Halston designed pillbox hat (shown below), personal notes and memorabilia from a life long fashion career was curated from Halston's personal archive which he bestowed upon his neice Lesley Frowick with the directive to write a book "because she would have everything she needed to tell his story. She wrote the book, after 25 years, but always felt a companion exhibit was necessary to share Halston's style and sensibilities given the rich volumes he left behind."
Halston was "ahead of his time in more ways than one, he considered all body types, his designs flattering all ages and sizes. He recruited plus sized vaudevillian Pat Ast to model and be a member of his entourage. Although he was trained in fashion illustration at the Chicago Art Institute, within a few short years he hired Steven Sprouse as official fashion illustrator. Sprouse worked by his side for a few years before making his own mark on the fashion world. Then came Joe Eula [a featured character in the Netflix series] and fashion illustrator extraordinaire, whose gossamer brush strokes brought Halston's flowing fabrics to life in full color."
As the illustrations are all for Halston they are not signed by the different fashion illustrators that may have penned them, which is typical of any fashion house. But all have a very similar aesthetic: bold confident thick markered lines, filled in with solid washes of color and the occasional pattern. Halston figures are almost always faceless given sometimes a lip and once in a while an eye, but always have a air of personality and elegance to their stance and poses.
The exhibit took up the entire museum, each gallery filled with a different era of Halston's career. His beautifully design garments on mannequins in the centers of the rooms, sketches lining the walls, countless orchids, and timelines of his career and personal notes from the likes of Liza Minnelli, Lee Radziwill, Beverly Johnson and Elizabeth Taylor in the corridors. It was such a treat to revisit my camera roll and this exhibit again. I hope you enjoyed the Halston fashion illustrations I chose to spotlight, because I have to tell you, there were many to choose from! Who knows, maybe the popularity of the series will have them put the exhibit on again! Wouldn't that be amazing. But in case that doesn't happen you could always pick up Lesley's book. If you liked this post, you should check out:
3 Ways To Find Inspiration When Facing a Creative Block
Fashion illustrators, like any other artist can face creative road blocks and ruts so I thought I'd share my top three ways to find inspiration when faced with a creative block and the dreaded blank page.
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(One of my Met sketches inspired by Guo Pei gown at "China: Through the Looking Glass") |
1. Go to a museum or gallery. Whether you have time for the whole museum or just one wing or exhibition, go. You never know how discovering a new artist or even seeing an old master will get your creative juices flowing. Bring a sketch pad, snap some photos (if that's allowed) or simply stroll the galleries and see what you find. I've been visiting the impressionist wing of The Met pretty religiously since I was about 14. I can’t visit the museum without popping in to see my old friends Monet, Cezanne, and van Gogh and without fail every visit I find a new gem. A new favorite painting, a new favorite spot that day, a new detail of a painting I never noticed before, or a combination of colors that strikes me that given day. If its photography that inspires you go see a fashion photography exhibit. If its vintage fashion, check out the Costume Institute. Or just gallery hop and see what you find and where the day takes you. A clear mind and an open afternoon is sometimes just what the doctor ordered sort of speak.
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(92nd Street Y) |
2. Take a class. This is one that, similar to a museum is probably easier in a city but if you look I’m sure you can find one at your local collage, art shop, or community center. If you’ve been wanting to learn more about portrait drawing, figures, watercolors, or fashion illustration, there’s a class for it. And if committing to an entire class is too intimidating then you may want to consider a workshop which is usually only one or two days. In the past I taught a few fashion illustration classes but I’ve actually been thinking about offering a workshop in the new year. (Click here if you’d like to add your name to a waitlist for info when it’s available.) The older we get the more distance grows between us and our school days so it can feel slightly uncomfortable taking the plunge but it's so nice learn something new and immerse yourself in learning and expanding your mind and creativity. Its also nice to meet to new people with similar interests.
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(Ralph Lauren "Aviator" collection sketches by Audrey Schilt) |
3. See a period movie. Once in a while epic period piece film comes along that makes its mark on pop culture. These type of films historically can also be quite inspirational to fashion design. Two examples that come to mind immediately, although I’m sure if I gave it some more thought I could write a blog post on this topic alone, is in 2005 when Ralph Lauren showed his Aviator collection inspired by seeing the film The Aviator. A second example that stands out in my fashion minded brain is in 1998 when the J. Peterman catalogue offered early 1900's beaded gowns inspired by Titanic. I vividly remember looking at those drawings (remember the catalogue was all sketches!) and wishing the replica of Roses dress was within my budget for a prom dress! Unfortunately it was not, at $2000 for the replica and $35,000 for the original my babysitting money certainly didn't cover that.
I hope these ideas of mine inspire you. And let me know in the comments if you have any tricks for a creative slump that have worked for you.
Related posts you may like:
- Fabulous Doodles Inspiration No.3 Audrey Schilt
- Fabulous Doodles 2012 Gift Guide (Check out the Fashion on Film list!)
- Teaching Fashion Illustration at Stiched Fashion Camp
Ferragamo Fashion Illustration Invitations
Custom fashion event invitations have always been a part of my business but over the past year and a half or so Salvatore Ferragamo has become one of my best clients and for them I've drawn many. Rarely does a major holiday pass where I'm not hired to sketch for Ferragamo and with that often comes illustrating a new custom event invitation. Since we've done quite a few now I thought it would be nice to take a look back and feature some of my favorites here on Fabulous Doodles. Each illustration is inspired by a look from the current seasons runway collection that the corporate team sends along. Occasionally the look is shown on a model but sometimes it is sent to me as isolated pieces photographed individually. I then interpret the pieces into a stylized sketch and photograph the sketch on my desktop for the Ferragamo design team to use on the invite layout for an designer studio vibe.
Its been great to have these sketches and invitations both to share on social media with my followers to let people know of the upcoming events, as well as to have the sketches to serve as examples beside me framed at the events as a sample of what it is I am there doing. I always have framed samples at my live-sketching events but this way it is 100% on-brand and representing the most recent Ferragamo collection.
I hope you've enjoyed this round up of my Salvatore Ferragamo invitations as much as I enjoyed drawing them!
Similar posts you may have missed:
I hope you've enjoyed this round up of my Salvatore Ferragamo invitations as much as I enjoyed drawing them!
Similar posts you may have missed:
- Vogue x Clinique Sketching Tour 2017
- Beverly Hills Bat-Mitzvah with Mindy Weiss
- Burberry | Semi-Custom Fashion Illustrations
Team USA Closing Ceremony Designs by Ralph Lauren | PyeongChang
Here's a fun fashion illustration sneak peek of the Ralph Lauren designs Team USA will be wearing at tonights closing ceremony of the Olympic Winter Games in PyeongChang, South Korea. If you've been a long time reader of Fabulous Doodles you know I'm huge fan of illustrations from Ralph Lauren design team and this powerful pair are no different. The sketches convey movement and texture and are just the right amount of unfinished to look professional with a stylized and artsy air to them. I'm excited to see them come to life on the athletes tonight!
Have a look at past Ralph Lauren Olympic uniform sketches I've featured in the past:
Chanel Custom Fashion Illustrations
Similar posts to check out:
- Custom Sketching for Harry Winston
- Custom Fashion Illustrations | Fendi
- Vogue x Clinique Sketching Tour 2017
Met Gala 2017 Inspired Fashion Illustrations
The next illustration is Hailey Baldwin in a Carolina Herrera ballerina ensemble with-a-twist. I loved the subtle color change within the tiers of the tulle skirt, and the delicate architectural seams of her crop top. Keeping the hair pulled up and back with a birdcage veil was lovely finishing touch. And last but not least is Kate Hudson in Stella McCartney. This look was the not the most on theme but it wasn't completely off, with a dramatic one-sleeve and modern top knot hair that was a nod to Asian costume. In all honestly this asymmetrical silk gown was a fun one to draw, as I love to render highlights and shadows of silk. It also fit in well with the two other illustrations which were bigger and more dramatic silhouettes.
I wasn't feeling great the night of this years gala, so decided to go with a more simplified and stylized effect, drawing with an Apple Pencil on the iPad pro in leu of my traditional illustration tools, all while watching in bed! I kept the sketches cohesive all on a pink background and illustrated in only graphite gray, pink and white. Its nice to switch it up sometimes and try new things!
Similar posts to check out:
Custom Sketching for Harry Winston
In addition to drawing custom fashion illustrations the team from Harry Winston asked if I could pre-sketch an organic champagne bubble design beforehand to be pre-printed on the paper along with their embossed logo (shown above left). They also sent the Glamsquad to my hotel for party primping! I travel often for work events and it was such a treat to have my hair and makeup done right in my room (above middle photo) instead of trekking to a salon. Traveling to Miami for this fancy fete was wonderful and I'm honored to have been a part of it and work with such an iconic brand.
Similar posts you may have missed:
New Etsy Fashion Illustrations
I've finally added new fashion illustration prints to my Brooklit Etsy shop and I'm excited to share them all! Although I'm constantly illustrating and creating new work for clients, Casetify and Instagram I honestly can't remember the last time I posted new prints to Etsy. These new prints are groups of three girls, like mini fashion collections. I'm really happy with them and hope my customers so as well. The first new print (shown above) is three designs inspired by Rachel Zoe. Originally there were five illustrations in this group but I played around in photoshop and edited it down to three. Of all the new prints this is my favorite, as its the most my style fashion wise. I also love the stylized nature of the illustration not being too detailed in the faces and elongated bodies.
Next up is Lady Gaga in a white Brandon Maxwell jumpsuit at this years Oscars. As anyone who follows me on social media knows I often live sketch award show red carpet looks to share my favorite fashion of the night. Gaga outdid herself with this look and I think I captured the moment and look well. Its a fairly simple but strong sketch since the look was elegant and not overly embellished. I primarily used marker and pen with a few touches of white gouache to highlight the hair and earrings. I made a print of her solo, as originally drawn, then also grouped Gaga together with two other sketches of favorite looks from the night, Priyanka Chopra in Zuhair Murad and Olivia Wilde in Valentino couture. The sketches of Priyanka and Olivia are a little less polished and more stylized with unfinished faces, but I think the grouping works well and it makes a strong print.
And lastly I have three lovely ladies inspired by Giambattista Valli couture (shown below.) This collection, and the styling of this collection with oversized bow headbands and dramatic swiss dot veils was a fashion illustration dream. The looks were so beautifully embellished, girly and simply couture at its best. They're also a wonderful color palette with tiny floral details in pale pink and peach with pops of black.
My goal is to revamp the contents of both my shops Brooklit and Brooklit Bride over the next month or two starting with these four new prints.
Similar posts to check out:
Next up is Lady Gaga in a white Brandon Maxwell jumpsuit at this years Oscars. As anyone who follows me on social media knows I often live sketch award show red carpet looks to share my favorite fashion of the night. Gaga outdid herself with this look and I think I captured the moment and look well. Its a fairly simple but strong sketch since the look was elegant and not overly embellished. I primarily used marker and pen with a few touches of white gouache to highlight the hair and earrings. I made a print of her solo, as originally drawn, then also grouped Gaga together with two other sketches of favorite looks from the night, Priyanka Chopra in Zuhair Murad and Olivia Wilde in Valentino couture. The sketches of Priyanka and Olivia are a little less polished and more stylized with unfinished faces, but I think the grouping works well and it makes a strong print.
And lastly I have three lovely ladies inspired by Giambattista Valli couture (shown below.) This collection, and the styling of this collection with oversized bow headbands and dramatic swiss dot veils was a fashion illustration dream. The looks were so beautifully embellished, girly and simply couture at its best. They're also a wonderful color palette with tiny floral details in pale pink and peach with pops of black.
Similar posts to check out:
Custom Fashion Illustrations | FENDI
It was my first time in Atlanta and hopefully it won't be my last because although I was only there for a short visit I met such nice people, had some fantastic meals, and did some much needed holiday shopping. All in all, it was quite the successful little work trip. For more information on my event-sketching and availability for your next event, you can email me at FabulousDoodles@gmail.com.
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Designer Sketches for NYFW Spring 2016
Its New York Fashion Week again, which to me has always been a time to ogle over designer sketches which they release as a preview of their collection and the inspiration behind it. Aside from being pure visual eye candy for a fashion illustration lover, an aspiring illustrator can learn a lot by studying inspiring sketches and trying to achieve similar techniques.
I've picked only five this season and possibly my favorite of the lot is the Adam Lippes illustration shown above. I've always loved illustrations that look effortless and a bit unfinished. Knowing when to stop and not overwork a sketch is something I've always been a little insecure about in my own work. The contour lines of the legs, feet and face with a simple single stroke of skin color is what I like best. Another beauty is Mara Hoffman's illustration which perfectly conveys the bohemian look of her brand with long braids, a headband and a walking fashion figure that is ideal for a long flowing starry gown.
The next sketch by Joie (shown above) is charcoal on pale pink paper and looks as though it was made for Fabulous Doodles! The light lines and partially rendered floral print has such a lovely soft effect. Its airy and feminine and even as a simple sketch, the overall look is on brand with what I've come to and love Joie.
Next is a bolder sketch in monotone black and white by Tome. Its a little heavy handed and different from the others I've chosen, but similar in how it's partially rendered with a slight unfinished look. In this sketch its the body that is barely there, keeping all the focus and detail in palm print dress. And last but not least is stunning watercolor painted fashion illustration by Carmen Marc Valvo. The past few months I've been experimenting more with watercolor and gouache and I love seeing how other artists use it. The saturated black background which washes away toward the bottom is such a unique way to frame an illustration and something I'm eager to try for myself.
I hope you liked my top picks of designer sketches from the Spring 2016 collections and that they inspire you, as they do me, to try something new.
(Illustration by each designer via Elle and WWD.)
Similar posts you might enjoy:
I hope you liked my top picks of designer sketches from the Spring 2016 collections and that they inspire you, as they do me, to try something new.
(Illustration by each designer via Elle and WWD.)
Similar posts you might enjoy:
Sketches Inspired by Resort Collections
If you follow me on Instagram (@brooklit) you'll know that over the past few weeks I've been busy sketching some favorite designer looks inspired by resort 2016 collections. I've always loved the resort season collections, which are shown mid way through the fall and spring shows. Since so fewer pieces are shown designers have to keep their designs focused and concise. They also remind me of mini collection projects I'd design back in college. Each piece needs to serve a purpose, be well thought out and fit into the overall theme of the collection. Unlike fall and spring collections which can have as many as 120 pieces with both "filler" pieces and more avant garde looks that are solely for a dramatic runway moment, resort can have as few as 15-20 pieces.
The first collection I've illustrated here is Marchesa, consistently flawless, feminine and always a favorite of mine. This Moroccan inspired Resort collection featured a bounty of embroidered flowers inspired by Moroccan tiling, with intricate laces and a beautiful color palette of blush pinks, coral, black, white, gold and navy. In rendering this collection I chose the silhouettes I liked most that were also comprised of the laces and full floral embroideries that made the collection so exquisite and I enjoy rendering. The two to the right were two of my favorites both within the collection and in the outcome of the illustration. Theres something about sheer fabrics, like the v-neck white lace jumpsuit and peach organza bell-sleeve dress that make them so chic.
Rachel Zoe is next. Black and white is an eternal favorite of mine, along with much of the New York fashion set and her Resort 16' collection combined them beautifully with shimmer, embellishments and luxe fabrics. My favorite pieces to illustrate (shown above) were the ones that used beaded fringe, black and white stripes and chevron, and combinations of leather and suede. I illustrated these girls very elongated and stylized. This is the fashion illustration style I favor most however rarely use anymore since clients tend to prefer a "healthier" girl. To me though this is the epitome of fashion illustration. After completing these sketches I really want to keep along this vein and try to do more in this style, at least when drawing for myself, where I'm the sole opinion that needs to be taken into account.
Last up is Elizabeth and James by Mary-Kate and Ashley Olsen. This collection, in my eyes, was the for the quintessential "cool girl." Another classic palette of black and white featuring loose and slouchy dresses, wide-leg trousers and tailored blazers. They played with proportions and volume and put together a strong resort collection. Surprisingly the pant looks were my favorite to illustrate of the all the pieces, as show above middle and below.
For design students looking for mini collection inspiration or to the fashionphile looking to explore new designers I suggest browsing through the resort collections, always a hit in my book.
Rachel Zoe is next. Black and white is an eternal favorite of mine, along with much of the New York fashion set and her Resort 16' collection combined them beautifully with shimmer, embellishments and luxe fabrics. My favorite pieces to illustrate (shown above) were the ones that used beaded fringe, black and white stripes and chevron, and combinations of leather and suede. I illustrated these girls very elongated and stylized. This is the fashion illustration style I favor most however rarely use anymore since clients tend to prefer a "healthier" girl. To me though this is the epitome of fashion illustration. After completing these sketches I really want to keep along this vein and try to do more in this style, at least when drawing for myself, where I'm the sole opinion that needs to be taken into account.
Last up is Elizabeth and James by Mary-Kate and Ashley Olsen. This collection, in my eyes, was the for the quintessential "cool girl." Another classic palette of black and white featuring loose and slouchy dresses, wide-leg trousers and tailored blazers. They played with proportions and volume and put together a strong resort collection. Surprisingly the pant looks were my favorite to illustrate of the all the pieces, as show above middle and below.
For design students looking for mini collection inspiration or to the fashionphile looking to explore new designers I suggest browsing through the resort collections, always a hit in my book.
Donna Karan | End of an Era
(Above: Donna Karan fashion sketch, Donna Karan RTW Spring 08')
Last week Donna Karan announced she was stepping down as chief designer of her namesake company Donna Karan International and I can't help but feel its truly the end of era. As a huge admirer of her work since my pre-teen years it shouldn't come as a surprise to me how much the news has effected me. In my early days of studying fashion design at FIT I'd often be assigned market research reports and store visits and my first stop was always the Donna Karan Collection store. I'd study the slinky gowns, chat about the collection with the staff and always ask for a lookbook to take home to study and often add to my mood board wall. (This was before photos from the collections were available at your fingertips online.)
(Above: Esther Canadas shot by Peter Lindbergh for spring 00' campaign, Donna Karan shot by Ruven Afanador, Donna Karan RTW fall 99')
Karan has always had a remarkable understanding of a woman's body. Along with sophisticated color palettes in luxurious stretch fabrics, and unique knits, made her consistently my one of favorite designers. Her luxe New Yorker esthetic alway came through in her ads which were regularly shot by the fashion industries top photographers and featuring the most sought after models of the moment from Iman to Esther Cañadas to Kate Moss and most recently Karlie Kloss.
(Donna Karan campaign shot by Patrick Demarchelier featuring Karlie Kloss and Donna Karan Atelier sketches for Anna Kendrick)
I met Karan once, it was 1999. I had just began studying fashion design full-time and the meat packing district was beginning to become a shopping mecca, you still had to walk by hanging carcasses lining the sidewalks to get to stores. Those days are since long gone, now its one pristine luxury shop after the next. I was walking around with my dad and asked if he'd mind if we stopped by the new "it" store, Jeffrey. I walked in carrying my favorite black leather bag by Karan (also my very first big ticket bag splurge) and who do I spot but Donna Karan herself shoe shopping with her daughter! Needless to say I was completely starstruck! My dad being my dad made me say hello and introduce myself but its honestly all a daze. I just remember being excited to have been holding my Donna Karan bag at the time. I rarely get that starstuck. So far its only been her and Sarah Jessica Parker that I've managed to embarrass myself meeting. (To SJP my first words were "it's you!?!" So embarrassing! Cut to a few months later though and I found myself working as a wardrobe intern on the set of Sex and the City.) I digress and seem to be going off on a tangent but I felt it was important to take a moment here on Fabulous Doodles and write about how important Donna Karan has been to me over the years and how sad I am to see her stepping down. I don't mean to eulogize her here, I realize she's not gone-gone but Donna Karan and her brand truly made a mark on me, my design sense, and the fashion industry.Previous posts including Donna Karan:
- NYFW Designer Sketches Spring 2015 (Part 1)
- Preview "Charles James: Beyond Fashion" Exhibit
- Designer Sketches for NYFW Fall 2014 (Part 2)
Live-Sketching Bridal Fashion Week for Brides Magazine
Recently I attended Bridal Fashion Week to live sketch designers final looks on behalf of Brides Magazine's social media channels and it was without a doubt one of my favorite projects to date. With my sketchbook and art supplies in tow I attended Reem Acra, Monique Lhuillier and Marchesa's Spring 2016 Bridal Collections along with a photographer and camera crew to record me live-sketching for photos and time-lapse videos.
I was invited to arrive early to each show for a closer look at the gown I'd be illustrating. The first was Reem Acra and it was an exquisite cream colored re-embroidered metallic lace long sleeve dress with circular tulle underlay. (Sketch shown above) I took some photos of the dress details, watched the models in hair and makeup, then headed out to my seat for the show. Promptly after the show I scooted backstage with the camera crew where my model was waiting for me in the finale dress to pose. I completed the sketch in about 15-20 minutes and she was thrilled with the outcome, and said she'd actually never been sketched before. I then thanked and shared the sketch with Reem Acra. She loved it and was quite complimentary of my work, which she had checked out prior to my arrival. (Ekk!)
Next up, Monique Lhuillier. Again I arrived early and was brought backstage for a closer look at the finale gown. Waiting for my sketching location I sat backstage for quite a while watching the models and snapping pix. They said if I liked another gown more I could sketch whichever gown I thought would make the best illustration so instead of the long-sleeved finale gown I chose a strapless tulle ballgown with a delicate lace bodice with lace appliqués that trickled onto the skirt, to differentiate it from the dress I drew that morning. After the show I got set up in the room they were shooting the look-book in, so again, the model was right there and got to see her final sketch along with the Monique Lhuillier (see below.)
Lastly Marchesa, which unsurprisingly was flawless. When I arrived early backstage I was told the design team wanted to meet with me. Two of the head designers came out and showed me the three contenders they had in mind for the sketch. I chose this gown (below) because of the unique gathered bodice and beautiful three dimensional florals throughout the etherial skirt. I didn't realize at the time, but this was in-fact the finale look. Being a presentation situation, not a runway show, I was able to set up with the camera crew and sketch while the model posed on the pedestal. I saw the two Marchesa designers Georgina Chapman and Keren Craig during the show but unfortunately not after, once the sketch was complete.
It doesn't get much better than sketching Bridal Fashion Week for Brides Magazine. It was a dream project and hopefully I'll have the opportunity to do it again. Through the years I've attended countless New York Fashion Weeks but up until now, actually only one bridal show, and I have to say I'm sold! Beautiful New York venues showcasing one stunning fairytale gown after the next, it was a fashion illustrating dream come true. You can check out more of my sketches and a time lapse video over on Brides Magazine instagram account. Thank you to the team at Brides and all the designers who welcomed me!
For more of my bridal illustrations you can check out my bridal print shop: Brooklit Bride.
Similar posts you may be interested in:
I was invited to arrive early to each show for a closer look at the gown I'd be illustrating. The first was Reem Acra and it was an exquisite cream colored re-embroidered metallic lace long sleeve dress with circular tulle underlay. (Sketch shown above) I took some photos of the dress details, watched the models in hair and makeup, then headed out to my seat for the show. Promptly after the show I scooted backstage with the camera crew where my model was waiting for me in the finale dress to pose. I completed the sketch in about 15-20 minutes and she was thrilled with the outcome, and said she'd actually never been sketched before. I then thanked and shared the sketch with Reem Acra. She loved it and was quite complimentary of my work, which she had checked out prior to my arrival. (Ekk!)
Next up, Monique Lhuillier. Again I arrived early and was brought backstage for a closer look at the finale gown. Waiting for my sketching location I sat backstage for quite a while watching the models and snapping pix. They said if I liked another gown more I could sketch whichever gown I thought would make the best illustration so instead of the long-sleeved finale gown I chose a strapless tulle ballgown with a delicate lace bodice with lace appliqués that trickled onto the skirt, to differentiate it from the dress I drew that morning. After the show I got set up in the room they were shooting the look-book in, so again, the model was right there and got to see her final sketch along with the Monique Lhuillier (see below.)
Lastly Marchesa, which unsurprisingly was flawless. When I arrived early backstage I was told the design team wanted to meet with me. Two of the head designers came out and showed me the three contenders they had in mind for the sketch. I chose this gown (below) because of the unique gathered bodice and beautiful three dimensional florals throughout the etherial skirt. I didn't realize at the time, but this was in-fact the finale look. Being a presentation situation, not a runway show, I was able to set up with the camera crew and sketch while the model posed on the pedestal. I saw the two Marchesa designers Georgina Chapman and Keren Craig during the show but unfortunately not after, once the sketch was complete.
It doesn't get much better than sketching Bridal Fashion Week for Brides Magazine. It was a dream project and hopefully I'll have the opportunity to do it again. Through the years I've attended countless New York Fashion Weeks but up until now, actually only one bridal show, and I have to say I'm sold! Beautiful New York venues showcasing one stunning fairytale gown after the next, it was a fashion illustrating dream come true. You can check out more of my sketches and a time lapse video over on Brides Magazine instagram account. Thank you to the team at Brides and all the designers who welcomed me!
For more of my bridal illustrations you can check out my bridal print shop: Brooklit Bride.
Similar posts you may be interested in:
VOGUE and Viktor & Rolf | You're Invited
You're invited to join me and Vogue this Thursday as I customize my haute couture inspired sketches of Viktor & Rolf designs! We're celebrating the first anniversary of Bonbon, Viktor & Rolf's bow bottled fragrance directly inspired by their avant-garde fall 2013 haute couture collection and would love to have you there:
Saks Fifth Avenue
Viktor & Rolf on One
Fifth Avenue & 49th Street
Thursday, April 23rd 6-8 PM
RSVP: 212.940.4169
I've been a longtime fan of the couture design duo. Their legendary Russian doll collection featuring Maggie Rizer in layer upon layer of couture was one of the first shows I remember truly being blown away by and was shown the same year I delved into fashion as a fashion design major at FIT. Illustrating their designs, and having my sketches pre-approved by the designers for this Vogue event was definitely a "pinch me" moment in my fashion illustration career. I hope to see you all at the event where I'll be customizing these croquis to your and other Vogue guests likeliness!
Fabulous Doodles Inspiration No.3, Audrey Schilt
(Illustration by Audrey Schilt for Ralph Lauren Collection)
Plus, few related posts you may have missed:
NYFW Designer Sketches Spring 2015 (Part 2)
Ready to start your week off with more New York Fashion Week designer sketches? Today I've chosen a batch of classic black, white and neutral illustrations starting with Ella Moss and Jeffrey Dodd. Ella's sketch has a lovely light feel with a lot of texture and depth. I love how the pant pattern was rendered and the use of shading throughout the illustration. Jeffrey Dodd's illustration is much more stylized with a simplified and eccentric headless fashion figure but still clearly conveying the gown design.
The theme of Milly's 2015 spring collection is "organic opulence," which I think this sketch illustrates perfectly. It appears to have been drawn primarily in pen with touches of marker. The illustration has a quick and casual feel but dramatic showing a sheer full skirt and patterned vest.
Rachel Zoe's illustration is a different style than she's shown in recent past seasons (here for example.) This sketch is simplified mod black and white with a playful element in the kicked up foot and shaggy hair, showing the 1960's inspiration even in the figure illustration.
Last but not least is a graphic statement by Lela Rose of watercolored polka dots and florals inspired by a Japanese artist, Yayoi Kusama. Again its a bit of a simplified croqui (fashion figure,) but well rendered garments and unique in that the illustration took the polka dot pattern and successfully extended it into a washed out background.
It should be noted that none of these illustrations have faces. I know a lot of aspiring illustrators struggle with facial features and these are a few great examples of successful illustrations without any. The illustrations are all cohesive and none look unbalanced or unfinished.
For more from NYFW Spring 2015, see Part 1 here.
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